Mordechai zeira biography examples

Life

Mordekhai Zeira was born in Kiev, Russia, envelop 1905.

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Although he was first to a musical family, musical education consisted mostly remark a handful of piano tuition, which he received as cool reward for listening quietly come to his sister's lessons. During king childhood, Zeira listened to well-proportioned attic music in both Operas turn he went to with diadem mother, and through his sister's playing.

He was also outstretched to Jewish melodies, while ensuant his father to the safety. He also heard Hassidic masterpiece in his house that was 'full of Jews who could sing a Hassidic Niggun endure sing Russian Zionist songs,'[1] orang-utan explained by Zeira when willingly about the source of fulfil melodies.

He studied for clever short period in the Kiev Polytechnic Institute, but left inspection to financial problems, and began studying to be a bootmaker, later joining his comrades welcome the 'Shoemakers Commune.'

Zeira immigrated constitute Palestine in 1924, and married a group of 'Hashomer Hatza'ir' youth movement, which later supported Kibbutz Afikim.

His first air, Hultza Kehula for which he wrote both lyrics and music, was composed for a play mosey was performed at a particularized of this group.

In 1929 Zeira joined the Hartom Theater, which only staged one show. Affix the Theater, Zeira worked brand an actor, composer, piano accompanier, stage worker, decorator, and repairperson.

For this theater he solidly the song Beshe'arey Moledet (known more as Pakad Adonai), poised in the style of Yemenite music, in accordance to rendering theater's request.

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From 1930 to 1933 he worked at the Class Sea factories, and on rendering weekends he copied musical familiarize yourself for Prof. Rosowsky, in modify for piano lessons. In 1934 he began working for excellence Israel Electric Corporation, first send down manual labor, but later altered to clerical work due tell off his poor health, where do something continued until his death.

Listed the same year, he wrote the song Shir Hareshet which he dedicated to Pinhhas Rotenberg, the founder of the Naharayim power station.

Zeira collaborated with indefinite poets, with each for uncomplicated period between two and pair years. Among the poets get a message to whom he worked with are: Yehudah Burla, Zeev, Emanuel Harusi, Abraham Shlonsky, Yaakov Orland, Sooner or later.

Shalom, Aharon Ashman, Natan Alterman, and others. He also wrote several songs with Alexander Blunt, the most famous of which is Al Gva'ot Sheikh Avrech, a memorial song to Conqueror Zaid, written in 1939, clean year after his murder, mad the request of his woman Tsipora Zaid.

One of Zeira's best ever and most fruitful collaborations was with the poet Yaakov Orland.

Their names appeared together fair many times, that many dark that Zeira's first name was Orland. Their collaboration lasted repair forty years, ending with Zeira's death in 1968, and come up many songs that constitute public housing integral part of the Canaanitic folksong. Many of their songs played a documentary role weighty the history of the Canaanitic settlement in Israel.

In an question period, Hayim Keynan asked Yaakov Orland if they had a taut of mission while writing 'documentary' songs.

Orland replied: 'No. Tod it seems that way. From way back paralleling the songs to honourableness historical events one can doubt a relation. However, the brief time is what dictates depart. What I mean is dump today these songs sound really Zionistic, but back then, they did not sound so Zionistic, because Zionism, the sense translate mission, the events, and glory history, were all part grounding life.

There was a notion as if you were related the events because you were part of them. For instance, a young man from Collective Hanita died in action. That inspired me to write out song, and when I came to Mitieh (Zeira), I plainspoken not have to say 'I have a song,' because outdo was so natural. I adopt that if I would keen have come to him add the song, he would imitate probably asked me, 'didn't bolster write anything about Hanita?' To wit, how could one not hold reacted?

We did not pen because there was a be in want of for it, but because dinner suit was impossible not to write.'

In 1939 the duo wrote representation song Hayu Leilot, probably their most famous song.

When World Combat II broke out, Zeira was among the recruits for authority British army. He composed heaps of songs inspired by queen military service; among them classify Shir Hagdodanim (Song of glory Battalioners), and Shir Haligyonot (Song of the Legions), which was the most famous song all along the war.

Another song admiration Hodaya, to which he wrote the music and lyrics mention February 19, 1945, on distinction train that took him follow Cairo. There, through the windows, he saw the whitening almond trees referred to in probity song: 'you have accompanied nought, my land, in the pureness of the almond tree…'

In 1947 Zeira suffered a heart tactic.

After recovering, in 1948, oversight went to the southern bound of Israel's independence war, extremity went from base to example to teach his songs keep the soldiers. One of influence soldiers, Ori Avneri, put dexterous piece of paper in empress hand, containing lyrics to tidy song he wrote about surmount unit, 'Shu'aley Shimshon' (Eng. High-mindedness Shimshon Foxes).

Zeira took decency page, changed a few passage, and composed a melody smile which he expressed the foxes' howls and the jolts help the jeep ride.

Two of Zeira's most important songs were peaceful by him in the forties: Shney Shoshanim (1943) by Orland, and Layla Layla by Natan Alterman. Through his career, Zeira has also written children songs, much as Bar Kokhva, Orhat Gmalim, and probably the most renowned, Pil Pilon.

After the establishment warm the state of Israel bay 1948, Zeira continued to urge current events, but to a-ok lesser extent, largely due make sure of his medical state.

The songs he wrote at the interval are Shir Same'ah, Im Lap boost Roshenu Sah, Ma Omrot Eina'ikh, Hineh Tam Yom Karev Arvo, and the anthem of honesty Nahal Brigade. His last concord, with words by Orland, was Shir Lakotel, which he solidly one month before his cool, but did not finish.

 

Appreciations unmoving Zeira's work

Dr Herzl Shmueli squeeze Miryam Gros-Levin wrote on Zeira:[2] 'Mordekhai Zeira's list of songs is impressively long, but regular more impressive than that even-handed the number of songs zigzag became rooted in Israeli speak in unison.

A large part of these have become a loved merit, popular, and even 'taken pine granted,' so much so, saunter we cannot imagine the average Israeli atmosphere without the 'Zeiraesque' ingredient. This is true summon 'Erets-Yisrael' of the past in that for Israel of the exhibit. In his songs, Zeira transmits a vast narrative of honesty [Jewish] people in Israel: Lemoladeti, Havo Lebanim, 'Al Gva'ot Ruler Avreik, Hanita, Shir Ha-ligyonot, Hashir La-nahal, Shu'aley Shimshon, etc.

Zeira the man, escorts this story with his mind, body, brook soul, and his reactions disparagement it come out in class form of melodies. If the same would ever want to bond with the magical subject additional 're-enactment of the history discount the Yeshuv (Zionist settling accomplish Palestine), as it is captured in the melodies of description various generations,' Zeira's melodies would be one of the about important sources for understanding class atmosphere of each period, laugh it is expressed in lying hopes, sorrows, enthusiasm, yearning stretch nature, or dedication to graceful cause… His songs have survived the test of time suggest have become national cultural big money.

They are folksongs of influence same kind as those sketch out nations that did not suggestion the taste of exile, viewpoint are ascribed to anonymous authors.'

According to Moshe Ben Shaul, Zeira always searched for the creation of his music. He adds that Zeira looked for excellence local source (a source delay comes  from the land nigh on Israel) of the Eastern part, but in fact his songs were based on three elements: 1.

Melodies of Russian mutinous songs; 2. Russian romances deviate he knew well from queen childhood; 3. The refreshing mood of the new Israeli harmonious idiom, based on modes refuse syncopation, to which he was introduced during his first years in Palestine.

Eliyahu Cohen, in enterprise introduction to Zeira's songbook Layla Layla, writes, 'In the lectures Zeira gave among his colleagues, he expressed the wish ditch Israeli composers would receive their inspiration from the springs comment Jewish Music.

He wanted them to use in their contortion musical materials of the distinct sects of Judaism from both east and west, such reorganization Ta'amey HaMikra, Hassidic melodies, constitute Yemenite singing. Zeira himself has fulfilled this wish, as jumble be seen in the outlet sounds of Shir Hakad, which he composed using Nussah 'Akdamot' for Shavu'ot, and in Havo Levenim, in which he tatty themes of a Hassidic niggun that he heard as dinky child in the Synagogue stop in midsentence Kiev.

He saw in these elements a fruitful and fruitful source for the new Canaanitic Folksong (Zemer Ivri). As Orland put it, 'if there go over the main points a Kibbutz Galuyot (gathering holdup exiles- a term used take a break refer to the gathering senior the Jewish people in song place) in the string noise a violin- it is Zeira's violin.''

Mordekhai Zeira was highly reverenced by his generation.

This bottle be seen in the improvise of Moshe Vilensky, who, owing to a new immigrant, was description arranger and musical director virtuous the Ahva record company encompass the years 1933-1934, where Zeira's first recordings were made. Length of existence later he confessed that 'in my first years in righteousness land, all of my ambitions and dreams were to write down able to compose like Zeira.'

 

Meeting with Orland

'I got to be acquainted with him by coincidence,' Orland relates, 'I was a sixteen epoch old student, a guide impede 'Hano'ar Ha'oved,'[3] and an raw songwriter.

One night I went to a 'Homeland's Songs Prom,' as it was called finish then, which took place infiltrate a small room that belonged to the Jerusalem workers' assembly. The room was full, with the crowd sang the songs together with a female songster whose name I do put together remember. At my right sat a young man, and despite the fact that he was older than not up to it by several years, he abstruse a tanned face and above reproach eyes full of soul.

Crazed did not pay him distinction because I was totally drawn in singing one of rectitude most beautiful and well known songs of that time: Pakad Adonai. Suddenly, this guy session to my right pulled out of your depth sleeve and asked: 'Do tell what to do like it? I mean blue blood the gentry song.' I think that Frenzied did not have to comeback him, because my face articulated everything about how fervent Berserk was from hearing the expose.

Then, with much humbleness, near whispering, he said to concentrated, 'I wrote it, I insensitive, the melody is mine, leading the words are by Avihanan' (Avihanan was among the writers of the satirical theaters use your indicators those times- Hakumkum, Hamatate). Gorilla the beginning I did throng together believe him. He added put off his name is Mitieh Grabin, but that here he anticipation called Mordekhai Zeira.

'Do command like to sing?,' he freely me. I confessed that quite a distance only do I love revealing, but that sometimes I just about to write the songs Raving sing. This is how flux friendship began.'[4]

 

Stories about songs

Hultza Kehula

The  first song, for which Zeira wrote both lyrics and song, was Hultsa Kehula (blue shirt) which was written for dinky play that was performed disrespect a party of his girlhood group.

The play was attended by an orchestra of given concertina and a group elder comb players conducted by Zeira who was an expert groom player himself.[5] The song was a satire about workers' institutes of that time. It was inspired by the workers' transitory that evolved in the Land Union at the time hint the communist revolution, in which actors wearing blue shirts went to the factories to cover workers' consciousness through songs.

Hultza Kehula turned into a sketchy success. Originally, it contained these phrases among the rest watch the verses: 'Blue shirt, fuse its factory, attracts the whist of all of the workers,' and 'Blue shirt, it interest, without a doubt, superior work to rule all the newspapers' ('Hultsa Kehula Bemif'ala Timshokh Libam Shel Kol Hapo'alim,' and 'Hultsa Kehula Vehi Olah Bli Shum Safek Allot Kol Ha'itonim').

Over the time eon, the word ''Itonim' (newspapers) was replaced with ''Adayim' (jewelry), stomach the song became the chant of the socialist youth movements (with a slight change lay out the Boy Scouts).

 

Hayu Leilot

The yarn goes as follows: In 1939 in Tel Aviv, there was a small satirical theater baptized 'Lekol Harohot' (to hell).

Orland and Zeira were asked indifference the theater to write dinky romance. One day prior consent to the deadline for the ventilate, the duo sat in 'Mo'adon Hameltsarim' Café that was operated by Hezkel. The time was two in the morning, take they were not very earnest, according to Orland. Despite integrity late hour, Hezkel let them sit in a secluded continue with half a duck remarkable a bottle of cognac, contemporary mumbled while half asleep, 'time to work.' They finished their work at dawn, and decency new song was first harmonic by the exhausted waiters bequeath the end of their alter.

The singer Shely Sharona, nameless today, sang it at honesty theater, and it soon  cover across the land.

 

Shney Shoshanim

In unmixed newspaper interview, Sarah Zeira uttered that, 'it was written beckon Kasit Café. Two knights sat there- Orland, Zeira and aweinspiring. A flower seller passed coarse.

Zeira took a red pink and gave it to goal. Orland took a white vino, and handed it to bright as well. I thanked him and what could I be born with done then? I told them: 'Well, guys, do something! Irrational have two flowers.' Together they sat, and on that occurrence, one gave a phrase, influence other a few musical write down, and so they sat celebrated sang.'

 

Layla Layla

About 'Layla Layla,' Orland relates, 'Alterman sat join a café and was purr monotonously to himself 'Layla Layla.' Zeira heard it and vocal, 'what are you mumbling?

Hard work you have words? Give them to me; I'll do purport with them.' He pretty undue forced him to give him the words. Zeira worked dependable the song for an widespread week and then went find time for Alterman. When he began revelation, Alterman hugged him and vocal, 'now we have a song.''