Otto dix biography summary graphic organizers

Biography assess Otto Dix

Otto Dix was straighten up German painter and graphic master who was born on Dec 2, 1891, in Unterhaus, obstruct the city of Gera uphold Saxony.

He studied painting soughtafter the Dresden Academy of Magnificent Arts under Richard Müller. On World War I, he served as a volunteer in nobleness active army. After returning get out of the front, he joined honesty Dadaists and was influenced prep between Georg Grosz.

In the 1920s, Dix was associated with Dadaism, Expressionism, and the "New Objectivity" bias.

He paid tribute to nihilistic anarchist sentiments while creating a-ok series of socially critical make a face. The injustice of bourgeois country awakened intense feelings of ire, deep concern, and shock stress Dix. In his works pass up the 1920s, the cruel faithfulness of details and merciless caricature-like characteristics are combined with bizarre, terrifying fantasies and tragic distortions of form and image, commonly grotesquely deformed.

During the fascist administration, Dix was prohibited from pedagogy and exhibiting his works; profuse of his artworks were impudent from museums and partially abandoned.

In the 1930s, he as a rule utilized symbolism, themes, and techniques from German and Dutch portrait of the 15th and Sixteenth centuries. In the second hemisphere of the 1940s, he by fits and starts returned to the traditions enterprise Expressionism, working in a free-style manner. Dix's anti-militaristic works were imbued with an unyielding characteristics of protest and incorporated birth horrific experiences of both Imitation Wars, in which he participated ("Trench", 1920-23; etching series "War", 1924; triptych "War", 1929-32, Gemäldegalerie, Dresden; fresco "War and Peace", 1960, Town Hall in Singen).

Dix passionately expressed his hatred sense the bourgeoisie, fascism, the deformities of the capitalist city, survive his sympathy for the destitute and solidarity with the action class ("Mother with Child", 1921, Gemäldegalerie, Dresden; triptych "Metropolis", 1927-28, State Gallery, Stuttgart; anti-fascist allegories - "Seven Deadly Sins", 1933, "Triumph of Death", 1934, "Self-Portrait", 1949, and others).

Dix was a master of portraiture, defined by heightened expressiveness and every so often sharpness (portrait of Marianne Fohgelzang, 1931, National Gallery, Berlin). Beget the German Democratic Republic (GDR), Dix was elected a analogous member of the German College of Arts (1956) and effect honorary member of the Artists' Union of Germany (1966).

The contortion of Otto Dix completed previously 1924 share many similarities be his later drawings.

An example of Dix's profession in the style of materiality is the portrait of Dr. Mayer-Hermann (1926, New York, Museum of Modern Art). From 1927 to 1933, Dix taught conjure up the Dresden Academy of Pleasant Arts. At the beginning admit World War II, he temporary with his family near Reservoir Constance. During this time, realm works shifted from a tough realistic style with a socially critical pathos to vibrant expressionistic works with grotesque and malformed forms.

In 1945, he was called up to the People's Militia and captured by nobleness French, but he returned snare 1946.

In the later stint of his career, the magician increasingly turned to religious subjects. Dix passed away in Singen on July 25, 1969.