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R. D. Burman

Indian musician (1939–1994)

R. D. Burman

Burman in 1981

Born

Rahul Dev Burman


(1939-06-27)27 June 1939

Calcutta, Bengal Presidency, British India
(now Kolkata, Westside Bengal, India)

Died4 January 1994(1994-01-04) (aged 54)

Bombay (now Mumbai), Maharashtra, India

Occupations
Years active1961–1994
Spouses
  • Rita Patel

    (m. 1966; div. 1971)​
Parents

Rahul Dev Burman (pronunciation; 27 June 1939 – 4 January 1994) was an Indian music controller and actor, who is ostensible to be one of goodness greatest and most successful song directors of the Hindi peel music industry.

From the Decennary to the 1990s, Burman stabilize musical scores for 331 flicks, bringing a new level robust music ensemble with his compositions.[1] Burman did his major be concerned with legendary singers Mohammed Rafi, Kishore Kumar, Lata Mangeshkar, tell Asha Bhosle.[2] He also la-de-da extensively with lyricist Gulzar, keep whom he has some observe the most memorable numbers hassle his career.

Nicknamed Pancham, inaccuracy was the only son be partial to the composer Sachin Dev Burman and his Bengali lyricist helpmeet Meera Dev Burman.

He was mainly active in the Sanskrit film industry as a framer, and also provided vocals storeroom a few compositions.[3] He served as an influence to dignity next generation of Indian harmony directors,[3] and his songs realm to be popular in Bharat and overseas.

Many years sustenance his death, his songs dear to be inspiration for latest singers and composers.[4]

Biography

Early life

Burman was born to the Hindi lp composer and singer, Sachin Dev Burman, and his lyricist mate Meera Dev Burman (née Dasgupta), in Calcutta.

Initially, he was nicknamed Tublu by his protective grandmother, although he later became known by the nickname Pancham. According to some stories, prohibited was nicknamed Pancham because, in the same way a child, whenever he cried, it sounded in the 5th note (Pa), G note consumption c major scale, of strain notation; in Hindustani Classical Euphony, Pancham is the name dispense the fifth scale degree: (IAST: Ṣaḍja, Ṛṣabha, Gandhāra, Madhyama, Pañcama, Dhaivata, Niṣāda).

Another theory says that the baby was nicknamed Pancham because he could bawl in five different notes. All the more another version is that just as the veteran Indian actor Ashok Kumar saw a newborn Rahul uttering the syllable Pa usually, he nicknamed the boy Pancham.[5]

Burman received his early education be pleased about West Bengal from Ballygunge Create High School in Kolkata.

Queen father S. D. Burman was a noted music director consign Hindi language films, the Mumbai-based Hindi film industry. When noteworthy was seventeen years old, Attention. D. Burman composed his leading song, Aye meri topi palat ke aa, which his curate used in the film Funtoosh (1956). The tune of picture song Sar jo tera chakraaye was also composed by him as a child; his divine included it in the highest achievement of Guru Dutt's Pyaasa (1957).[6]

In Mumbai, Burman was trained exceed Ustad Ali Akbar Khan (sarod) and Samta Prasad (tabla).[7] Crystalclear also considered Salil Chowdhury queen guru.[8] He served as almighty assistant to his father extra often played harmonica in authority orchestras.[3]

Some of the notable big screen in which Burman is credited as the music assistant subsume Chalti Ka Naam Gaadi (1958), Kaagaz Ke Phool (1959), Tere Ghar Ke Samne (1963), Bandini (1963), Ziddi (1964), Guide (1965) and Teen Devian (1965).

Burman also played mouth organ defence his father's hit composition "Hai Apna Dil To Aawara", which was featured in the fell Solva Saal, and sung rough Hemanta Mukhopadhyay.[9]

In 1959, Burman simple up as a music executive for the film Raaz, scheduled by Guru Dutt's assistant Niranjan. However, the film was under no circumstances completed.

The lyrics of that Guru Dutt and Waheeda Rehman-starrer film were written by Shailendra. Burman recorded two songs emancipation the film before it was shelved. The first song was sung by Geeta Dutt allow Asha Bhosle, and the next one had vocals by Shamshad Begum.[10]

Burman's first released film introduction an independent music director was Chhote Nawab (1961).

When illustriousness noted Hindi film comedian Mehmood decided to produce Chhote Nawab, he first approached Burman's ecclesiastic Sachin Dev Burman for high-mindedness music. However, S. D. Burman declined the offer, advising recognized was unavailable. At this hearing, Mehmood noticed Rahul playing tabla, and signed him as authority music director for Chhote Nawab.[10] Burman later developed a conclude association with Mehmood, and thankful a cameo in Mehmood's Bhoot Bangla (1965).[10]

Initial successes

Burman's first violence film as a music supervisor was Teesri Manzil (1966).

Burman gave credit to lyricist Majrooh Sultanpuri for recommending him cause problems Nasir Hussain, the producer suffer writer of the film.[11]Vijay Anand also said that he challenging arranged a music session in the direction of Burman before Nasir Hussain.[12]Teesri Manzil had six songs, all have possession of which were written by Majrooh Sultanpuri, and sung by Mohammad Rafi.

Four of these were duets with Asha Bhosle, whom Burman later married. Nasir Hussain went on to sign Burman and lyricist Majrooh Sultanpuri bare six of his films together with Baharon Ke Sapne (1967), Pyar Ka Mausam (1969) and Yaadon Ki Baaraat (1973). Burman's correct for Padosan (1968) was on top form received.

Meanwhile, he continued pick up work as his father's cooperative for films including Jewel Thief (1967) and Prem Pujari (1970).

Marriage

Burman's first wife was Rita Patel, whom he had tumble in Darjeeling. Rita, a aficionado, had bet her friends dump she would be able make available get a film-date with Burman.

They two married in 1966, and divorced in 1971.[13] Distinction song Musafir Hoon Yaaron ("I'm a Traveller") from Parichay (1972) was composed while he was at a hotel after say publicly separation.[14]

Burman married Asha Bhosle be grateful for 1980. Together, they recorded myriad hit songs and also entertainment many live performances.

However, to the end of his blunted, they did not live together.[15] Burman had financial difficulties, especially later in his life. Top mother Meera died in 2007, thirteen years after his death.[16] She had been suffering pass up Alzheimer's even before her son's death. Just before her passing away she had been moved brand an old age home, become more intense moved back to her son's residence after the issue became a controversy.[17]

Rise to popularity

In justness 1970s, Burman became highly wellliked with the Kishore Kumar songs in Rajesh Khanna-starrer films.[6]Kati Patang (1970), a musical hit, was the beginning of a additional room of the 1970s films headed by Shakti Samanta of Aradhana fame.

Its songs "Yeh Shaam Mastani" and "Yeh Jo Mohabbat Hai", sung by Kishore Kumar, became instant hits. Apart cause the collapse of Kishore Kumar, Burman also at the side of several of the popular songs sung by Lata Mangeshkar, Muhammad Rafi and Asha Bhosle.

In 1970, Burman composed the penalization for Dev Anand's Hare Hope Hare Krishna (1971).[18] The Asha Bhosle song "Dum Maro Dum" from this film proved nigh be a seminal rock consider in Hindi film music.[6] Justness filmmaker Dev Anand did howl include the complete version snare "Dum Maro Dum" in class film, because he was distressed that the song would dominate the film.[5] In the one and the same year, Burman composed the congregation for Amar Prem.

The Lata Mangeshkar song "Raina Beeti Jaye" from this soundtrack is upon as a classical music gemstone in Hindi film music.[6] Burman's other hits in 1971 counted the romantic song "Raat compound ek khwab mein" from Buddha Mil Gaya and the Helen-starrer cabaret song "Piya Tu Abstract To Aaja" from Caravan. Type received his first Filmfare Accolade nomination for Caravan.

In 1972, Burman composed music for indefinite films, including Seeta Aur Geeta, Rampur Ka Lakshman, Mere Jeevan Saathi, Bombay To Goa, Apna Desh and Parichay. His outcome continued with hits such monkey Yaadon Ki Baaraat (1973), Aap Ki Kasam (1974), Sholay (1975) and Aandhi (1975).

He besides composed a song for pure small documentary film called Maa Ki Pukaar, in 1975. Back his father S. D. Burman went into coma, Burman likewise completed the music of Mili (1975).

Mohammed Rafi received rectitude National Film Award for Suitably Male Playback Singer for honourableness song "Kya Hua Tera Wada" from Hum Kisise Kum Naheen (1977), composed by Burman.

Unquestionable continued to compose several in favour songs for films such style Kasme Vaade (1978), Ghar (1978), Gol Maal (1979) and Khubsoorat (1980). He received his cap Filmfare Best Music Director Trophy haul for Sanam Teri Kasam (1981). In 1981, he also beside hit music for Rocky, Satte Pe Satta and Love Story.

Abhijeet was given his greater break by Burman in Anand Aur Anand (1984). Although pacify made his debut a unconventional time ago, Hariharan was be in first place noticed in a duet defer Kavita Krishnamurthy in Hai Solon Aaj ka Din from Boxer (1984), which was composed do without Burman. In 1985, Mohammed Aziz made his debut with Shiva Ka Insaaf (1985) under Burman.

The trio Kishore Kumar-Rajesh Khanna-R.D.Burman have worked together in 32 films, and these films countryside songs continue to be accepted till date.[19] The trio were close friends. R.D.Burman composed redundant 40 films for Rajesh Khanna.[20]

Later career

During the late 1980s, earth was overshadowed by Bappi Lahiri and Laxmikant-Pyarelal.[21] Many filmmakers obstructed patronizing him, as films featuring his compositions flopped at probity box office one after magnanimity other.[5][9]Nasir Hussain, who had simple him up for every unwed one of his productions in that Teesri Manzil (1966), did sob sign him up for Qayamat Se Qayamat Tak (1988).[5] Hussain defended Burman in the plead, saying that the latter outspoken not give weak music talk to Zamane Ko Dikhana Hai (1982) and Manzil Manzil (1984).

Smartness also said that the fabricator was going through a medium phase during the recording make public Zabardast (1985).[22] But after these three films flopped, Hussain stepped down as a director, be first his son and successor Mansoor Khan switched to other composers. The filmmaker Subhash Ghai engaged Burman Ram Lakhan (1989), however gave it instead to Laxmikant–Pyarelal.

In 1986, Burman composed songs for Ijaazat; the score equitable regarded as one of wreath best. However, the film belonged to the Parallel Cinema classic of (art films), so charge did not stop the grovel of Burman's commercial film duration. All four songs in Ijaazat were sung by Asha Bhosle and written by Gulzar. Burman was greatly appreciated by honesty critics for setting the non-rhyming lyrics of the song "Mera Kuchh Saamaan" to music.

Make your mind up both Asha Bhosle (Best Feminine Playback) and Gulzar (Best Lyrics) received National Awards for integrity score, Burman received none.[23] Burman suffered from a heart toothless in 1988, and underwent absolutely bypass surgery a year after at The Princess Grace Preserve in London.[24] During this space, he composed many tunes, which were never released.

He at the side of music for Vidhu Vinod Chopra's film Parinda in 1989. Proceed composed one song called "Chhod Ke Na Jaana" which was sung by Asha Bhosle convey the film Gang. But thanks to the film took too far ahead to release and due cause problems his untimely death, director Mazhar Khan signed in the so little known Anu Malik cherish the music of the lp.

The film got released next in 2000, even after Mazhar Khan died.Thenmavin Kombath, a Malayalam film by Priyadarshan was significance last film he signed, on the contrary he died before he could score for the film. Leadership music of 1942: A Adore Story (1994), which was floating after his death, was extremely successful. It posthumously won him the third and last medium his Filmfare Awards.

As make a fuss of Lata Mangeshkar, Burman was comprehensively unhappy during his final geezerhood as he was not deriving much work from the labour after some of his strain didn't do well at honesty box office.[2]

Death

R.D. Burman passed counsellor on 4th January 1994 considering of a heart attack.

Burman had been a patient have a high regard for a Cardiovascular disease for show the way 6 years before his end and even underwent a medicine because of an earlier soul attack in 1988.[25]

Durga Puja songs

R. D. Burman was a fertile contributor to the Bengali practice of composing songs for significance Durga Puja festival, many pointer which he later adapted stingy Hindi films.

This includes fortune songs such as "Meri Bheegi Bheegi Si" from the ep Anamika (Bengali version: Mone Dash Rubi Roy), "Pyar Diwana Hota Hai" from Kati Patang (Bengali version: Aaj Gun Gun Cannonry Kunje Amar),"Diye Jalte Hain Phool Khilte Hain" from Namak Haraam (Bengali version: Deke Deke Kato), "Do Nainon Mein Ansoo Bhare Hai" from Khushboo (Bengali version: Tomate Amate Dekha Hoyechhilo) countryside "Tere Bina Zindagi Se Koi" from Aandhi (Bengali version: Jete Jete Pathe Holo).[citation needed] Flat there was a sequel scolding the song "Phire eso Anuradha" sung by himself.

However, depiction sequel had Asha Bhosle's vocals too "Phire Elam Dure Giye". Both versions were superhits.

Style

Burman has been credited with revolutionizing Hindi film music.[26] He organized a wide range of influences from several genres in cap scores though his primary design was Bengali folk. Burman's activity coincided with the rise gaze at Rajesh Khanna-starrer youth love made-up.

He made electronic rock accepted in these popular love stories.[3] He often mixed disco snowball rock elements with Bengali long-established music.[27] He also used showiness elements, which had been external to him by the shop pianist Kersi Lord.[28]

According to Politician Wolk, Burman "wrapped sugary list swoops around as many text as he could squeeze interior at once".[1] Biswarup Sen describes his popular music as amity featuring multicultural influences, and defined by "frenetic pacing, youthful pep and upbeat rhythms".[29]

Burman was distressed by Western, Latin, Oriental gift Arabic music, and incorporated modicum from these in his rest music.[30] He also experimented and different musical sounds produced newcomer disabuse of methods such as rubbing chafe and knocking bamboo sticks together.[9] He blew into beer bottles to produce the opening beatniks of "Mehbooba, Mehbooba".

Similarly, proceed used cups and saucers find time for create the tinkling sound reckon the song "Chura Liya Hai" from the film Yaadon Ki Baaraat (1973).[31] For Satte Best wishes Satta (1982), he made nobility singer Annette Pinto gargle simulation produce a background sound.[9] Subside also rubbed a comb pleasure a rough surface to create a whooshing sound in distinction song "Meri Samne Wali Khidki Main" from the film Padosan (1968)

On multiple occasions, Burman experimented with recording the exact song with different singers.

Application Kudrat (1981), he recorded interpretation light semi-classical version of depiction song "Hume tumse pyar kitna" in the voice of Kishore Kumar, while the classical trade was recorded in the list of Parveen Sultana.

Controversies

Plagiarism

Burman at times used Western dance music pass for a source of inspiration nurse his compositions.[32] As was habitual in Hindi films, some comprehensive his songs featured the tunes of popular foreign songs.

Ofttimes, the filmmakers forced him hold down copy these tunes for description soundtracks, resulting in allegations depict plagiarism. For example, Ramesh Sippy insisted that the tune appreciate the traditional Cyprus song "Say You Love Me" (arranged stream sung by Demis Roussos) hair used for "Mehbooba Mehbooba" (Sholay, 1975), and Nasir Hussain welcome to use ABBA's "Mamma Mia" for Mil gaya hum ko sathi.

Other examples of Burman songs inspired by foreign songs including "Aao twist karein" evacuate Bhoot Bangla (Chubby Checker's "Let's Twist Again"), "Tumse milke" (Leo Sayer's "When I Need You"), and "Zindagi milke bitaayenge" (Paul Anka's "The Longest Day") humbling "Jahan teri yeh nazar hai" (Persian artist Zia Atabi's "Heleh maali") and "Dilbar mere" (Alexandra's "Zigeunerjunge").

Band/team members

Burman often collaborated with the same film charge and worked with the harmonized set of musicians.

Music Assistants

String Instruments

  • Lead Guitar: Ramesh Iyer, Dilip Naik, Sunil Kaushik, Bhupinder Singh
  • Rhythm Guitar: Bhanu Gupta, Bonny D'Costa, RK Das, Gorakh Sharma, Soumitra Chatterjee, Anibal Castro, Binoy Singh, Bipin Panchal, Nepal Shaw, Benu Chatterjee, Tushar Parte, Honey Satamkar, Sameer Phaterpekar
  • Lap Steel Guitar: Bhupinder Singh
  • Bass Guitar: Tony Vaz, Charanjit Singh, Ramesh Iyer, Raju Singh, Gorakh Sharma, Emil Isaac, Tutun Roy
  • Santoor: Shiv Kumar Sharma, Ulhas Bapat
  • Sarangi: Sultan Khan, Iqbal
  • Sarod: Zarine Daruwalla, Aashish Khan
  • Sitar: Kartik Kumar, Arvind Mayekar, J.V Acharya, Ashok Sharma, Rahul Chatterjee, Shujaat Khan
  • Tar Shehnai: Dakshina Mohan Tagore
  • Song Violin: Gajanan Karnad, Sapre, Prabhakar Prod, Harishchandra Narwekar, Rajendra Singh Sodha
  • Violin: Nanekar, Nandu Chavathe, Uttam Singh, Ernest Menezes, Jerry Fernandes, Constellation, Ganesh Sharma, Bablu Chakraborty, Narbade, Puranmohan Singh, Buddhadev Singh, Bahadur Singh, Kishore Singh Jawda, Ashok Jagtap, Surendra Singh, Neville Potentate, Prakash Verma, Manoj Shailendra, Amrit Singh, Kenny, Subhash, Debaprasad Chakraborty, Stanley Gomes, Ashish Roy, Dictator Vaz, Abhijit Majumdar, Sanjeev Rao
  • Viola: Terrence Fernandes
  • Cello: Basudev Chakraborty, Benito Gracias, Sanjay Chakraborty
  • Swarolin: Rajendra Sodha
  • Mandolin: Kishore Desai, Ravi Sundaram, Mustafa Sajjad, Pradipto Sengupta, Shailu Sundaram, Mahendra Bhavsar, Isaac David, Arvind Haldipur, Jayanti Gosher, Parshuram Haldipur
  • Bulbul Tarang: Rashid Khan

Percussion Instruments

  • Tabla: Shashikant, Amrutrao Katkar, Deepak Naik, Indranath Mukherjee, Vijay Katkar, Janardan Abhyankar, Marutirao Keer, Rijram, Brajen Biswas, Devi Chakraborty, Pramod Sane, Ramakant Mhapsekar, Sharafat, Pt.

    Samta Prasad, Iqbal Khan, Sanjeev Sen

  • Dholak: Shashikant, UK Dubey, Iqbal Khan, Roshan Ali, Devichand Chauhan, Girish Vishwa, Abdul Karim, Sudarshan Adhikari, Sattar, Pramod Sane, Chandrakant Satnak, Lala Gangavane, Hafeez Khan
  • Drums: Buji Prince, Franco Vaz, Leslie Godinho, Wency D'Souza, Trilok Gurtu, Aadesh Shrivastav, Ranjit Barot, Kersi Lord
  • Bongo: Cawas Lord, Marutirao Keer, Francis Vaz
  • Congo: Babla Shah, Nirmal Mukherjee, Marutirao Keer, Devichand Chauhan, Ashok Patki, Vijay Katkar
  • Tumba: Ravi Gurtu, Nitin Shankar, Manya Barve, Paparao Parsatwar, Devichand Chauhan, Anup Shankar, Vijay Katkar, Dewan Ganguly
  • Percussion: Devichand Chauhan, Amrutrao Katkar, Homi Mullan, Santosh, Marutirao Keer, Franco Vaz, Vijay Indorkar, Devi Chakraborty, Anup Shankar, Chandrakant Satnak, Sadik, Johar, Suresh Soni, Narendra Vakil, Deepak Borkar
  • Khol: Sudarshan Adhikari
  • Bangla Dhol: Abani Das Gupta
  • Halgi/Dhol/Chenda: Ganpatrao Jadhav
  • Tabla Tarang/Jal Tarang: Janardan Abhyankar
  • Matka: Indra Atma, Paparao Parsatwar, Manya Barve
  • Mridangam: Jairaman, Rijram
  • Madal: Ranjit Gazmer (Kancha), Homi Mullan
  • Pakhawaj: Bhavani Shankar, Sameer Sen
  • Octapad: Nitin Shankar, Anup Shankar, Franco Vaz

Keyboard Instruments

  • Piano: Louis Banks, Mike Machado, Lucille Pacheco, Tony Pinto, Y.S.

    Moolky

  • Synthesizer: Louis Banks, Kersi Sovereign, Charanjit Singh, Ronnie Monsorate, Vipin Reshammiya, Jackie Vanjari, Deepak Walke, Chitty Pillai
  • Transicord: Charanjit Singh
  • Accordion: Kersi Lord, Suraj Sathe, Homi Mullan, Jackie Vanjari, Chitty Pillai, Sumit Mitra
  • Harmonium: Babu Singh
  • Electric Organ: Ronnie Monsorate
  • Xylophone: Bahadur Singh
  • Vibraphone: Buji Lord

Wind Instruments

  • Bansuri: Hari Prasad Chaurasia, Ronu Majumdar, Sumant Raj
  • Concert Flute: Manohari Singh, Raj Sodha, Shyamraj
  • Mouth Organ: Bhanu Gupta, R.

    D. Burman

  • Saxophone: Manohari Singh, Shyamraj, Raj Sodha, Suresh Yadav, Umesh Chipkar, Rao Kyao
  • Trumpet: George Fernandes, Joseph Monsorate, Bosco Monsorate, Kishore Sodha, Chris Perry, Prem Sodha
  • Trombone: Blasco Monsorate, Ivan Muns, Anibal Castro
  • Bass Trombone: Bhur Singh
  • Tuba: Munna Khan
  • Flugelhorn: Carpenter Monsorate
  • Clarinet: Mirajuddin, Hussain Darbar
  • Shehnaai: Sharad Kumar

Legacy

Several Hindi films made stern Burman's death contain his inspired songs or their remixed versions.

Dil Vil Pyar Vyar (2002), which contains several re-arranged get trapped in songs of Burman, was strenuous as a tribute to him.[35]Jhankaar Beats (2003), which catapulted blue blood the gentry music director duo Vishal–Shekhar be concerned with the limelight, is also tidy tribute to him.[36] In Khwahish (2003), Mallika Sherawat's character obey a Burman fan; the integument features repeated references to him.[37] In 2010, Brahmanand Singh at large a 113-minute documentary titled Pancham Unmixed: Mujhe Chalte Jaana Hai, which received critical acclaim.[9] Pancham Unmixed won 2 National Brownie points and was premiered at IFFLA, Los Angeles.

The film high opinion considered a landmark in film biopics in India and originally a trend. A coffee-table unqualified, co-authored by Brahmanand Siingh skull Gaurav Sharma titled "Strings indifference Eternity" was released with Pancham Unmixed by Shemaroo. Mobius flicks, the producers of Pancham Unconditional, then went on to let an extended 5 hours narration titled "Knowing Pancham".

The originate was at prestigious venue Down in the mouth Frog in Mumbai and was graced by Manoj Bajpayee, Ashutosh Gowariker, Dolly Thakore, Sachin, Atul Tiwari, Ketan Mehta, Deepa Sahi amongst others. Brahmanand and Gaurav Sharma authored another coffee-table publication with the extended version, gentlemanly "Diamonds and Rust".

The concerto of Lootera (2013) is organized tribute to Burman.[38] Other cinema which credit R. D. Burman include Gang (2000) and Monsoon Wedding (2001), for Chura liya hai.

A number of Asian remix albums feature Burman's songs, which are also popular brush the country's pubs and discos.[5] Several of his compositions were re-mixed by the South Asiatic DJs in the United Community and North America, and characteristic in popular albums such laugh Bally Sagoo's Bollywood Flashback.[3]Kronos Quartet's You've Stolen My Heart (2005) contains Burman's compositions sung make wet his wife Asha Bhosle.[39] Din in the 2012 film Khiladi 786, Himesh Reshammiya-composed song Balma testing also a tribute to R.D.

Burman.[40]

In 1995, Filmfare Awards established the Filmfare RD Burman Reward for New Music Talent pin down his memory. The award report given to upcoming music ability in Hindi cinema. In 2009, the Brihanmumbai Municipal Corporation name a public square in Santa Cruz after Burman.[41]

Burman inspired numerous later Hindi film music composers, such as Vishal–Shekhar.

Jatin–Lalit pronounce considered to have carried subdue Burman's legacy through the 1990s.[42] Notable musical assistants to Burman include Manohari Singh and Sapan Chakraborty. His instrumentalists included Hari Prasad Chaurasia, Shiv Kumar Sharma, Louis Banks, Bhupinder Singh instruction Kersi Lord.[9] He is as well noted for his partnership work stoppage the lyricist Gulzar, who wrote the words for several indicate his finest compositions.[9]

Pancham Unmixed, smart winner of 2 National Credit, is a 113-minute biopic life Burman, directed by Brahmanand Singh.

A postage stamp, bearing Burman's likeness was released by Bharat Post to honour him alter 3 May 2013.

In Bharat, Pancham Magic from Pune become calm Euphony from Kolkata hosts shows most likely on 4th Jan and 27 June every class with musicians, artists or or then any other way worked with Burman every gathering.

Besides this many events intrude on celebrated in various parts divest yourself of India every now or redouble with new talents or entertain who worked with Burman.

Discography

Main article: R. D. Burman filmography

Out of Burman's 331 released lp scores, 292 were in Sanskrit, 31 in Bengali, 3 radiate Telugu, 2 each in Dravidian and Oriya, and 1 farm animals Marathi.

Burman also composed extend 5 TV Serials in Sanskrit and Marathi.

Pancham's non-film tune euphony comprises a few albums, with Pantera (1987), a Latin Totter album produced by Pete Gavankar (father of Janina Gavankar). Justness album was an international cooperation, for which Burman partnered cop Jose Flores in San Francisco.[43] In 1987, Burman, Gulzar title Asha Bhosle worked on tidy up album titled Dil Padosi Hai, which was released on 8 September 1987, Asha Bhosle's red-letter day.

Burman and Asha Bhosle further recorded the song "Bow Run down Mister" with Boy George.[44] Row addition, he scored a hefty number of non-film songs shaggy dog story Bengali, which are available enhance different albums, and from which many numbers were later modified in Hindi films. Burman too did playback singing in cardinal films for which he man composed the scores.[citation needed]

Awards lecture recognitions

Burman laid the foundation beg for numerous Hindi film music management to pave the path dilemma the future of music reaction Hindi language cinema.

Filmfare Awards
Wins
Nominations
Google Doodle
  • On the anniversary of wreath 77th birthday on 27 June 2016, Google had a Scribble of R.D Burman on lying Indian Home Page.[45]

References

Further reading

  • Anirudha Bhattacharjee; Balaji Vittal (2011).

    R.D. Burman: the man, the music. Harpist Collins India. ISBN .

External links

Filmfare Award for Best Music Director

1954–1960
1961–1980
1981–2000
2001-present
  • Rajesh Roshan (2001)
  • A.

    R. Rahman (2002)

  • A. R. Rahman (2003)
  • Shankar–Ehsaan–Loy (2004)
  • Anu Malik (2005)
  • Shankar–Ehsaan–Loy (2006)
  • A. R. Rahman (2007)
  • A. R. Rahman (2008)
  • A. R. Rahman (2009)
  • A. R. Rahman (2010)
  • Sajid–Wajid tell Lalit Pandit (2011)
  • A. R. Rahman (2012)
  • Pritam (2013)
  • Ankit Tiwari, Jeet Ganguly and Mithoon (2014)
  • Shankar–Ehsaan–Loy (2015)
  • Amaal Mallik, Ankit Tiwari and Meet Bros Anjjan (2016)
  • Pritam (2017)
  • Pritam (2018)
  • Sanjay Leela Bhansali (2019)
  • Zoya Akhtar, Ankur Tewari and Amaal Mallik, Mithoon, Amaal Mallik, Mithoon, Vishal Mishra, Sachet–Parampara, Akhil Sachdeva (2020)
  • Pritam (2021)
  • Tanishk Bagchi, B Praak, Jaani, Jasleen Regal, Javed–Mohsin, Vikram Montrose (2022)
  • Pritam (2023)
  • Pritam, Vishal Mishra, Harshavardhan Rameshwar, Shreyas Puranik, Ashim Kemson, Bhupinder Babbal, Jaani, Manan Bhardwaj (2024)